Global spirituality is a fundamental component of a culture of peace or a culture of awareness as far as the religions are concerned because it is a profoundly useful inner resource for creating and sustaining the inner conditions to support such a nonviolent, wise culture. Religion cannot be content simply to contribute a moral dimension to such a culture. Again, that is not enough. It has so much more that it can offer from its hidden treasures of the Spirit. These gifts of religious consciousness in its most advanced form can and will strengthen the foundation, widen the scope, and extend the horizon of the dawning global culture and universal civilization. Spirituality can offer deep roots to this new world society that will ensure its endurance through the coming millennia.
Archive for March, 2007
Global Spirituality
Friday, March 30th, 2007Protected: Meditation
Wednesday, March 28th, 2007Liquid Light
Tuesday, March 27th, 2007Scientists have figured out how to create a jet of liquid with nothing but the power of light.They shined a laser beam through a soapy liquid, producing a long jet that eventually broke up into droplets.
“I thought this was just so weird because I know when liquid is supposed to break up, and this one isn’t doing it,” said study team member Wendy Zhang, an assistant professor in physics at the University of Chicago.
Rose Tinted Glasses
Tuesday, March 27th, 2007Smart new sunglasses could instantly change into virtually any color on demand with just a turn of a tiny electronic knob on their frames.“We’ve developed lenses that aren’t like anything else on the market,” said researcher Chunye Xu, a chemical engineer at the University of Washington at Seattle. “This could be the fashion statement of the future.”
The lenses that the researchers have developed are made of a kind of electrochromic polymer, a material that can alter its levels of darkness and color in response to an electric current. The glasses only require power when they change hue.
So far Xu and her colleagues have developed prototype shades that resemble a pair of lab goggles with a dial attached onto the frame. Turning this dial activates the tiny watch battery powering the goggles and dials up the desired color. A single watch battery can power thousands of changes, Xu said. The researchers presented their findings Tuesday at the American Chemical Society annual meeting.
In the lab, the researchers have shown their glasses can quickly switch from transparent to blue, plus various shades in between, at the flip of a switch, requiring minimal energy consumption. “We are working on a multicolored device as well, but no prototype is available yet,” Xu said.
Juvenile Censorship
Saturday, March 24th, 2007Student productions at Wilton High School range from splashy musicals like last year’s “West Side Story,” performed in the state-of-the-art, $10 million auditorium, to weightier works like Arthur Miller’s “Crucible,” on stage last fall in the school’s smaller theater.For the spring semester, students in the advanced theater class took on a bigger challenge: creating an original play about the war in Iraq. They compiled reflections of soldiers and others involved, including a heartbreaking letter from a 2005 Wilton High graduate killed in Iraq last September at age 19, and quickly found their largely sheltered lives somewhat transformed.
“In Wilton, most kids only care about Britney Spears shaving her head or Tyra Banks gaining weight,” said Devon Fontaine, 16, a cast member. “What we wanted was to show kids what was going on overseas.”
But even as 15 student actors were polishing the script and perfecting their accents for a planned April performance, the school principal last week canceled the play, titled “Voices in Conflict,” citing questions of political balance and context.
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“The sad thing was this thing was a missed opportunity for growth from a school that I really have tremendous regard for,” said Emmalisa Lesica, whose son was in the play. Given the age of the performers and their peers who might have seen the show, she noted, “if we ended up in a further state of war, wouldn’t they be the next ones drafted or who choose to go to war? Why wouldn’t you let them know what this is about?”
The latest draft of the script opens with the words of Pvt. Nicholas Madaras, the Wilton graduate who died last September and whose memory the town plans to soon honor by naming a soccer field for him. In a letter he wrote to the local paper last May, Private Madaras said Baqubah, north of Baghdad, sometimes “feels like you are on another planet,” and speaks wistfully about the life he left behind in Wilton.
“I never thought I’d ever say this, but I miss being in high school,” he wrote. “High school is really the foundation for the rest of your life, whether teenagers want to believe it or not.”
Artfuckers Pictures
Friday, March 23rd, 2007Sacrality
Thursday, March 22nd, 2007“The Manifestation of the sacred ontologically founds the world”
~Mircea Eliade, The Sacred and the Profane
Familiar Focus
Tuesday, March 20th, 2007Focus at the Workshop went smoothly yesterday and we finished well ahead of schedule. It reminded me a lot of when I worked at the Berkeley Repertory Theatre. Well staffed and funded production departments with a dozen or so electricians all very competent.
John is very pleasant so I have a feeling it will be quite an enjoyable experience. The lighting designer, Mark Barton, is a friend of mine from NYU and it has been great getting a chance to hang out and catch up on breaks between work. We have not seen each other since last summer and before that I think it was a holiday party the season before.
The atmosphere at the Workshop is very pleasant. I am sure that, as with any organization, it has its bizarre political situations, but so far it seems to be kept to a minimum. The cafe next door is very nice and the woman who runs it is very engaged with the goings on at the theater. Again, it is an interesting parallel to Berkeley where the Capoeira Cafe, right across from the Rep, was unofficially part of the larger theater “family.”
This show has an interesting feel to it to me. Most of the details are new, yet the overall feeling os one of striking familiarity. It all feels right somehow. Its a difficult sense to explain. As for the individuals, I have never worked with any of them, except for Mark in graduate school, yet there is a kind of familiarity. I have not worked at this particular theatre, and yet it feels very familiar. It is like an evolution of something known and I must say, I rather enjoy it.
inter/national design
Sunday, March 18th, 2007This summer is looking to be quite exciting on the travel front. I will be working outside of New York for several months on a variety of projects. I find traveling to different cities for work to be truly invigorating. The new and changing locales help to give new life to the work I am doing and cause me to think much more fundamentally about the choices I am making in the various works.
In June I will be in Rumania working on the Antigona. This one woman adaptation of the Antigone story is very powerful and I think will be quite exciting. The text is very engaging as is the space we are performing in. I have never been to Rumania so this is quite a new adventure for me. Not only are we performing in Sibiu in the chapel of a fortress, but we might be performing in a bar in Bucharest. There are a few days between these dates, so there will be some nice opportunity for sight seeing. Perhaps even a little bit of travel can be arranged depending upon how the final dates work out.
After that I return to New York to work upstate at Glimmerglass Opera, assisting lighting designer Robert Weirzel. They are doing an entire season of operatic versions of the Orpheus Myth. We are doing Gluck’s Orpheo. I studied with Robert at NYU and have assisted him a number of times in the last few years. Its always fun, so I am greatly looking forward to this.
After Cooperstown I will be traveling to Berkeley, CA to light an opera of my own. I will be lighting a production of Verdi’s Aida with the Berkeley Opera directed by my friend Yuval Sharon. Being from Berkeley it will be a wonderful chance to spend some time with family and friends as well as having the opportunity to work on this rather compelling take on an operatic classic.
After that it is a bit of a mystery. August and September have some interesting prospects although nothing yet is settled. I am in discussions about projects in Scotland and Ireland, but there are still a lot of logistics to figure out. I may have another project in the Bay Area in November, but that too is still in the process of working through logistical questions.
All this travel is certainly thrilling, but before we get there we have a very New York series of shows what with assisting at New York Theatre Workshop, lighting the New York Theatre Ballet, and lighting a play for Gotham Stage Company.
I must say, I really am enjoying 2007.
Dancing Electrons, a New Matter Entirely
Saturday, March 17th, 2007The first hint that a new type of matter may exist came in 1983. “Twenty five years ago we thought we understood everything about how matter changes phase,” says Wen. “Then along came an experiment that opened up a whole new world.”In the experiment, electrons moving in the interface between two semiconductors behaved as though they were made up of particles with only a fraction of the electron’s charge. This so-called fractional quantum hall effect (FQHE) suggested that electrons may not be elementary particles after all. However, it soon became clear that electrons under certain conditions can congregate in a way that gives them the illusion of having fractional charge – an explanation that earned Laughlin, Horst Störmer and Daniel Tsui the Nobel prize
Wen suspected that the effect could be an example of a new type of matter. Different phases of matter are characterised by the way their atoms are organised. In a liquid, for instance, atoms are randomly distributed, whereas atoms in a solid are rigidly positioned in a lattice. FQHE systems are different. “If you take a snapshot of the position of electrons in an FQHE system they appear random and you think you have a liquid,” says Wen. But step back, and you see that, unlike in a liquid, the electrons dance around each other in well-defined steps.
It is as if the electrons are entangled. Today, physicists use the term to describe a property in quantum mechanics in which particles can be linked despite being separated by great distances. Wen speculated that FQHE systems represented a state of matter in which entanglement was an intrinsic property, with particles tied to each other in a complicated manner across the entire material.
This led Wen and Levin to the idea that there may be a different way of thinking about matter. What if electrons were not really elementary, but were formed at the ends of long “strings” of other, fundamental particles? They formulated a model in which such strings are free to move “like noodles in a soup” and weave together into huge “string-nets”.
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From this, the researchers made another leap. Could the entire universe be modelled in a similar way? “Suddenly we realised, maybe the vacuum of our whole universe is a string-net liquid,” says Wen. “It would provide a unified explanation of how both light and matter arise.” So in their theory elementary particles are not the fundamental building blocks of matter. Instead, they emerge from the deeper structure of the non-empty vacuum of space-time.
“Wen and Levin’s theory is really beautiful stuff,” says Michael Freedman, 1986 winner of the Fields medal, the highest prize in mathematics, and a quantum computing specialist at Microsoft Station Q at the University of California, Santa Barbara. “I admire their approach, which is to be suspicious of anything – electrons, photons, Maxwell’s equations – that everyone else accepts as fundamental.”
Other theories that try to explain the same phenomena abound, of course; Wen and Levin realise that the burden of proof is on them. It may not be far off. Their model predicts specific arrangements of atoms in the new state of matter, which they dub the “string-net liquid”, and Joel Helton’s group at MIT might have found it.
Helton was aware of Wen’s work and decided to look for such materials. Trawling through geology journals, his team spotted a candidate – a dark green crystal that geologists stumbled across in the mountains of Chile in 1972. “The geologists named it after a mineralogist they really admired, Herbert Smith, labelled it and put it to one side,” says team member Young Lee. “They didn’t realise the potential herbertsmithite would have for physicists years later.”







