Archive for July, 2007

Scotland is Amazing

Tuesday, July 31st, 2007

That is all.

Les Mouches

Sunday, July 29th, 2007

Pick a show, any show

Friday, July 27th, 2007

I have three shows running tonight. Pick your favorite genre and go see one:
Theatre
Opera
Dance

Dance with the Fierceness

Thursday, July 26th, 2007

Color Codes: a point of hue opens tonight at Joyce SoHo.

I think this is some of my best dance lighting in years and would love for you all to come out and see it.

Ticket information here.

Regionalisms

Tuesday, July 24th, 2007

The summer has been crazy with all the travel. I got back from California Monday morning and went, more or less, right into tech. Today we load-in for the dance piece I am working on at Joyce Soho with choreographer Trebien Pollard. I am very excited about this project, I think it will be a lot of fun. I have lit around ten or so of his dances but never a full evening piece, so this should be interesting. And then on Sunday I fly to Edinburgh.

Quite a time!

I just got off the phone with a company in Virginia and it looks like I will be lighting two plays in repertory there this September. It is an interesting pairing, Dracula and Driving Miss Daisy. This promises to be a curious few weeks of tech. At least they tech sequentially so I do not have to bounce my brain back and forth from one to the next.

I really enjoy working in differing locations. Spending time in a new or just different city or town really helps with theatre work. Theatre, and by that I include dance and opera, is at its core about human beings and human relationships. The more different types of people one knows and interacts with the greater depth and breadth of experience there is to draw from when working on a show.

So far this year I have worked in four states and one foreign country. By the end of the year I will be adding at least one of each to that list. Not to say that the quality of the experience is based upon its frequency or volume, because it is not, but something for me really gets animated being in new and different places. Returning to familiar locations, like Berkeley, is wonderful as well and provides its own satisfactions.

Working in the theatre is, in many ways, like a perpetual homecoming. Friends and coworkers recombine and move about and are encountered in varying situations. The lead tenor in Aida sang the role of the Mother in The Seven Deadly Sins. The safety coordinator at Glimmerglass was the TD when I worked at Virginia Opera. Different show, different city, same people.

This fall is shaping up nicely with shows in Virginia, California and New York. It will be nice to get a good dose of American regionalisms after spending three weeks in Europe and the UK.

But in the meantime, come see my play, opera, or dance.

Dead again

Tuesday, July 24th, 2007

La Femme est Morte is back for a limited engagement in New York before heading off to Edinburgh.

It opens tonight!

Tickets available here

Fashionista

Saturday, July 21st, 2007

Aida Opens

Friday, July 20th, 2007

Aida opens tomorrow.

Tickets information here.

Bezerkeley Opera

Thursday, July 19th, 2007

It has been a crazy time at Berkeley Opera. Aida is coming along well and I am increasingly pleased with it although the hours have been very demanding.

It will be interesting to see how we are received as this is about as unconventional a production of the work as possible.

I suppose I will find out when I take my bow on Saturday night.

Light Graffiti

Sunday, July 15th, 2007

Link

A number of graffiti artists have been tagging everything thought to be impossible without being caught. Well — it’s actually not illegal for them. They’re not using paint. As it turns out, time-lapse photography isn’t just for blooming flowers, skyscapes, or brake lights anymore. Termed Light Graffiti, tag artists are taking their colour to an all new level.


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