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The visual precision of the production – which receives assists from Lucas Benjaminh Krech’s lights and Keiko Shimosato Carreiro’s 19th- and early 20th-century costumes – is important because the look is nearly as important as the content. Or maybe I should say there are as many visual echoes as there are auditory in Parks’ play.
Tags: plays, reviews
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on Saturday, December 6th, 2008 at 10:09 and is filed under reviews, theory.
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Can’t wait to see it on Thursday. Woot!
Yay! Are you bringing friends?
I’m bringing a friend. I’ll send a note out to the Krewe as well. Sorry. Wasn’t thinking!