Posts Tagged ‘freelance’

Tools of the Trade – What’s in your bag?

Monday, March 1st, 2010

I recently sent off design drawings for a project and was told by the Master Electrician that they did not have a copy of Lightwright and would I please send the paperwork in a different file format. I converted everything to PDFs of the Channel Hookup and Instrument Schedule and sent them along. This is not the first time such a situation has happened to me.

I am often amazed at the number of people who work as freelance Master Electricians who do not own their own copy of Lightwright. While the program is a bit pricey it has become a necessary tool for the job. The simple creation of an Instrument Schedule or Channel Hookup could be done with any spreadsheet or database program, the specific calculations made by LW allow the job of the ME to be infinitely easier. And given that nearly all lighting designers use it, having one’s own copy is necessary for working with your primary collaborator, the designer.

An electrician would not consider coming to a call without a wrench. It is seen as a necessary part of the job. Lightwirght, like email and a phone, should be considered necessary for anyone directly interfacing with designers. This includes MEs, assistants, and so forth.

The intent of this post is not to rag on a few individuals but to make a larger point. When working as a freelancer there are certain tools that are necessary to have for your job. What those are will vary depending upon what your position is, but none the less you must have the basic minimum necessary tools. Back when I worked as an electrician it was a wrench, a multi-tool, and a pair of gloves. Minimum. Many electricians carry around far more tools. You don’t want to be the electrician who borrows the designer’s wrench. It just looks bad.

I know designers who carry around a huge bag full of tools. I am not that extensive and prefer to keep my carried items as lightweight as possible. Here’s a quick list of what I consider the necessary minimum tools as a lighting designer.

  • Laptop

    • Lightwright

    • Vectorworks
    • All show files for currently active projects
    • An Office Suite that can open and save as XLS and DOC files (I prefer OpenOffice)
    • Photoshop (or equivalent)
    • Illustrator (or equivalent)
    • Desktop email client (the theater may not have wifi, so it’s best to carry your info with you)
    • Calendar
  • Multiple pads of paper for notes
  • Pens
  • Floppy disks and USB drives to back up show files
  • Scale rule
  • Tape measure
  • Pens
  • A light for your tech table
  • A Headset
  • Cell phone
  • A Water bottle
  • Wrench
  • Pens
  • Snacks (focus and tech can get exhausting and breaks are not always timed to your body’s rhythms. I prefer Clif bars and fruit)
  • A Book (sometimes you are just sitting around waiting for scenery to arrive, might as well learn something)

Like I said this is a small list and many designers carry quite a lot more than this but for me I find it to be about the minimum that I can not assume will be provided in adequate quantity or repair by the theater.

A quick note on disks and drives. I recently pulled floppy disks out of my necessary list to lower the weight I carry on my back. Poor choice. I just ran into a situation where the theater had misplaced their disks in a cleaning frenzy and the schedule was so tight no one was free to pick any up until three days of programming had gone by. And this was a complicated show to program. Not the best situation for the nerves.

I almost never have a need for tools like Photoshop or Illustrator, so I use open source alternatives GiMP and Inkscape, but I have the option should the need arise (I also keep a full set of audio manipulation programs on my computer for similar reasons).

You will not need all these tools every day. My tiny designer wrench that is small enough to go in my carryon for airplanes would hardly serve a professional electrician. But when I need to run up and adjust a boom, because the crew of one or two are on lunch, I can do the note.

The wrench I learned the hard way. Getting all high and mighty thinking that as designer boy I would never need to touch a light again in my life, I was left high and dry during one lunch break and the few simple notes did not get done until AFTER the run through. After that, I started carrying a wrench as part of my necessary tool kit. I am sure my list will continue to evolve over time but for now this is more or less what it looks like.

Everyone’s needs are different. What do you consider a necessary tool for your work?

The Uncertainty of the Freelance Career and a Love of the Game

Friday, November 20th, 2009

One of the hardest things to come to terms with in freelancing is the fundamental lack of job security. These days it seems like no one has much job security and while it is certainly true that the position of the American worker has become far more tenuous in general the impacts on the freelancer are even greater. As a general rule workers tend to keep their jobs so long as the company is doing well and they do their work. Not so with the freelancer. Organizations they have worked with for years might be doing even better and choose not to rehire them. While it might come down to money, it could just as easily be a matter of aesthetics, or simply the desire to try someone new. In short, contracts might disappear with no discernible cause.

This can be hard. Some version of this scenario often prevents people from taking on freelancing as a career path. They see the tumultuous nature of the work as an insurmountable psychological barrier. That barrier is real. It takes a certain strength to have faith that work will materialize as it is needed. Because, while sometimes one might find their calendar filled with projects a year or more out from the present, it is just as common to have vast stretches of no work ahead. Projects may come along to fill those gaps or they may not. There is no way of knowing, although one can get good at guessing after a while.

I have a certain envy for people with regular jobs. They know months from now, if not years, where they will be working and more importantly if they will be working. While it is always possible that the company will go under, or cut massive amounts of workers, the underlying assumption is that there will be work. Not so with freelancing. While one must take as an act of faith that things will work out, there can be no realistic assumptions about what work there will be, where it will come from, and how much there is.

I have had years where I knew, more or less, what the whole year would look like as early as January. At the same time I have had years that looked solid in January and yet by the end of the year 80% of my projects had fallen through to be replaced by other ones. There is no way to predict the trajectory of one’s work in a freelance environment.

Living with, and learning how to operate under, that level of uncertainty can be like a spiritual practice at times. One is compelled to find deep reserves of patience. Meditation is often a useful technique to allay the fears and uncertainties inherent in the work. It is not easy to live with but becomes easier over time.

By limiting the impact of the uncertainty freelancers can stop using their energy to diffuse stress and can put it towards the work. Many people who freelance do not do so exclusively. Balancing freelance work with some other regular income can minimize the emotional turbulence caused by freelance contract work. Some people marry money. It may sound silly, but having a spouse or partner who will support one’s foray into the world of contract employment can make it a much safer venture. Others are independently wealthy. Many successful freelancers I know come from money and as such the concern over how to pay rent or where the next meal will come from is not present.

There is a common problem which transcends money and that is the work itself. As a freelance artist you are not just providing a product or a service you are providing a piece of yourself. The financial concerns are only one aspect of the impacts of this kind of uncertainty. I know plenty of freelance artists who are independently wealthy, for whom the money is no concern, who still fret at the lack of work. For them, as for most of us, they do it out of a love for the work. One does not become a freelance designer out of a desire for wealth or fame. You become a freelance designer because you love the work.

In the end it is that love of the work which makes possible a career as a freelance designer. It is a love of the work which makes it possible to endure the psychological complexities of managing one’s career as an artist. It is a love of the work which makes it possible to put yourself out there, in front of total strangers, to be critiqued and criticized.

It is a love of the work which allows you to pass through the uncertainty and continue on the path.

Why do you have your job?

From the Archives: Freelance Finances

Friday, September 11th, 2009

Note:This post is originally from July of 2008. While my system has been modified somewhat since then, the basic structure and ideas are the same.

I left the piece unedited from the 2008 version, but upon a new read am aware how much my writing has improved over the past year.

Enjoy!

Of all the classes I took in gradschool not one of them focused on how how to organize your finances. We had a CPA come in one day and talk about taxes, but nothing on day to day cash flow management. It is surprising since that is rather central to freelancing. And given that this is what a large percentage of their students end up doing, it surprises me there was no discussion of it. I had to make this system up on my own, via some help from talking with friends and colleagues. My system will not work for everyone, it may only work for me, but perhaps some of the ideas will be useful to others about to begin the freelance design experience.

One of the trickiest things I have found freelancing is budgeting my money. The switch from regular to irregular income can be quite a shock to the system if not prepared. It has taken me a number of years to get the system I have working with most major kinks ironed out, but it seems to be doing well currently. Since some months I will be working constantly with a fairly high and regular cash flow and other months are like a river evaporating in the desert I have adopted a system that works no matter what volume my monetary intake is at. Most of it is based on percentages and that allows my budget to expand and contract as the intake does.

Obviously I have fixed expenses like rent, gas, electricity, phone, student loan payments and internet. Thus there is a minimum I must make each month to not go into debt. By and large making those minimums is simple. Everyone has these expenses. They are obvious. There are a few other less obvious expenses that stung me a few times through my not considering them necessary.

For the system to work, taxes, savings and a “dry month buffer” should all be considered necessary expenses. By looking at these as necessary expenses I make sure I have them covered rather than waiting until the end of the month or end of the year only to find out I spent all my income.

Since I do not get W2’s there is no income withholding which means I must do that on my own. I am also under no illusion that I will “strike it rich” as a theatrical designer, so I have an IRA that I feed regularly. Both the taxes and the IRA follow the same model. As soon as I deposit each check for a project I take a percentage(currently ten percent) of that and put it towards my IRA(and to a savings account for taxes). So if I get a hundred dollar check that’s $10 to my IRA. A $3,000 dollar check and its $300. Simple.

The “dry month buffer” is less precise. Rather than a strict percentage I simply try and maintain about 1-2 months worth of necessary expenses in my savings account. This has been the most recent addition to my system and probably the one most needing of refinement. My next major tweak to the system is to make this more precise and methodical.

By doing all this before I even look at balances for necessary spending I have been able to save a decent amount of money on what can, at times, be a very meager income. There are two things that make this successful. One is knowing that almost anyone can adjust -10% of their income. It’s just enough to notice, but not significant enough to truly impact daily life.

One further trick I picked up from a friend of mine who uses a similar system has to do with money for taxes. In March he takes all his savings for taxes and puts it in a 9 month CD. In June does the same in a 6 month CD. And again in September with a 3 month.

It looks like an online savings account actually provides a higher rate of return than a short term CD. So this afternoon I will be opening an online savings account to hold my tax money until the end of the year.

The final element to the percentage system is discretionary spending. I give myself a monthly allowance, alternately called a flexible budget or spending plan, for excess income every month. By again treating it as a percentage of income I am able to allow it to expend and contract based upon earnings. And since all my credit card spending is accounted for in that spending plan I am able to pay off credit card bills at the end of the month(or weekly when I am really on top of things) to prevent that from getting out of control.

This all may fall into the over sharing category for some. But to me I would have loved to have this information at my disposal when I started working regularly on 1099 income. I hope this might help you out.

Automating Finances for Freelancers

Friday, August 7th, 2009

The final element to discuss in our ongoing conversation about freelance finance is Automation. Unlike salaried employees we freelancers can not automate everything, as monthly intake varies, but we can do a lot.

Last week we explored targeted savings accounts as a means of minimizing the impact of large purchases. The ideas in that essay provided us with the necessary foundation for this last step and deserve a quick recap.

With targeted savings accounts we put in place a system that will even out the impact of large purchases by proactively averaging out the costs of those purchases over time and saving it in advance. These accounts differ from emergency funds in that they focus on known irregular expenses rather than unexpected expenses or income loss.

Going through our budget we find all those elements that should be in targeted savings accounts and set the money up to transfer at the top of each month. There should be a delay of a few days from the auto-deposit of your salary to avoid overdrafts. Once these accounts are set up to auto-transfer we can sit back and stop thinking or worrying about them. Pulling the stress and concern over purchases out of our day to day life leaves us with greater mindshare for exciting things like designing, or making more money.

Automating your savings is 90% of this process. We could set up accounts for things like a new car or computer, a down payment on a house, a vacation or any other big ticket item we want. Also smaller items like dentist visits, a new phone and so forth could have their accounts automated in this fashion. By savings I am including not only the of save-to-spend items included in the targeted accounts but also retirement savings, IRS contributions, etc. Again, the key to this is breaking these larger purchases down into smaller, more manageable monthly increments.

Another aspect of automation is monthly expenses. Electricity, phone and similar bills can all be routed through credit or debit cards to ease the stress of bill payments. In fact many credit cards themselves can have auto-pay set up for the account balance at the end of each billing cycle.

A word of caution. This step is the roof to the financial house we have been building over the last several weeks. Like a real house, if the walls or foundation are weak the weight of the roof could cause the whole thing to collapse. Overdrawing your checking account to pay a credit card bill will land you with enough fees to make you cry. Especially once the credit card adds fees for the processing of non-existent funds. Use this system wisely and at your own risk. It can be a powerful tool, but like anything powerful, there are risks involved.

Automation is the final step towards creating a smooth and stress free economic life as a freelancer. The economic realities of how we work is inherently complicated by uncertainty. If we are not actively engaged in a current project we are planning an upcoming project or tracking down future clients. We never know month to month or year to year how or when our income will come to us. While this system can in no way solve that problem, what it can do is minimize the impact of that uncertainty in our lives.

This system is not simply about managing money. It is about designing your life. Do you want your choices to be made out of fear and desperation or out of a proactive will to live the life that you want? Will you be like most of the world and flail about once an economic downturn hits? Or rather, will you be like Norway, using your strong foundation to gain economic advantage?

The choice is yours.

For more reading, a great explanation of one method of automating finances can be found here.

Good luck! Please feel welcome to share your thoughts in comments.

Determining Salary and Choosing Projects as a Freelancer

Friday, July 17th, 2009

In my expanded series on managing irregular income as a freelancer I covered budgets in depth last week. This week we move on to step two, salary negotiation.

In my first post on this I covered the issue in a rather flippant manner, “Having worked out the budget for personal and business expenses you are ready to move on to the second part, salary negotiation. This part is easy. Your total budget number is your target salary. So as the employee you go to your boss (you) and ask for this. Your boss (you) then says yes. Celebrate with a cocktail.”

In truth the issue is more complex. Let’s assume for the sake of argument that you worked through your budget and arrived at a number of $4,000 a month. This does not mean you look to make $4k a month from your freelance contracts. It does mean that you need to make, on average, at least $4k a month. The whole point of this system is to even out the irregularity of the work cycle. Your standard of living does not need to fluctuate in the same cyclical manner as your work income.

Chances are if your target budget is $4k, your target monthly income will need to be closer to 6K. I will cover emergency funds next week, but this all ties into that topic. You want your business to be able to continue paying you even when you do not receive payment from your clients for weeks or months at a stretch. As such you will need to shoot for a monthly income that takes into account not only current expenses, but rising future expenses and/or a decline in future income.

Further, it is critical that your business maintain a cash reserve thus making it possible to pay assistants, subcontractors, etc. without concern for incoming checks. Targeting your business income high enough to meet all operating costs, that includes your personal salary and covers subcontractors, creates a positive atmosphere where assistants and subcontractors will want to keep working with you because they know you can be trusted to pay them on time.

This gets down to the question of how to pick projects. How you evaluate projects is a very personal decision, I have found myself refining and changing those criteria regularly as I continually check in with myself about wether or not the choice I am making is right for me. Some people will only take projects that are deeply satisfying on a creative level. Others are fine with anything so long as the people they work with are engaging. Still others will take anything that pays above a certain minimum. There are many variations and permutations of these options and finding the right balance is up to you.

One major criteria that you will be measuring all this against is your budget. If you need to make $4-6K a month you will need to find a balance of types of projects that will bring in that income. If you find that the types of projects you are willing to work on will not bring you the income you desire, then you may need to go back to step one and reevaluate your spending patterns or reconsider the standards you use to evaluate potential projects.

The balance between your budget and your target salary must be made carefully. Budgeting for a $6k monthly income when you only make 3k will turn into a disaster in short order with rising debt levels and increasing stress. Instead one must look at current income levels and future projections thereof to determine target income. From there balancing the budget with the income is rather simple.

The key in this step is honesty. While it might have felt good to design a budget with a monthly income of 6K, if your realistic monthly earnings are closer to 3K you need to bring that into consideration. This is also the part of the process where you review your budget for possible cuts in spending. Since we based our budget on actual spending habits we now take the time to look at those habits to see which might be changed or massaged in order to bring the budget number in line with the income.

The balance between income and spending is of critical importance towards creating a smooth economic life as a freelancer. Being clear and honest with yourself will allow you set up a system that has both a strong foundation and is robust enough to weather the many economic vicissitudes that come your way.

How to Regulate Irregular Income – 5 Tips for freelancers

Friday, July 3rd, 2009

One of the most difficult aspects of freelancing is getting a handle on the boom/bust cycles of your income stream. No matter who you are, your work goes through cycles, if not volume of work itself certainly with how much you are paid. Regulating that income stream takes careful planning and finesse, but it can be done.

The first thing to realize in terms of approaching this is that as a freelancer/independent contractor you must keep the experience of your business’ income cycles independent of your employee’s experience. This is true of subcontractors as well as yourself. Your business may go through periods of expansion and contraction, but that does not in any way mean that the employee, namely you, must suffer that same fate. Microsoft is a large-scale example of this. Unlike most companies operating with a large amount of debt, Microsoft has enormous cash reserves that allow it to weather almost any economic storm. Another god example is the country of Norway.

The key to solving this problem for the independent contractor can be outlined in a few simple steps that I will look at in detail below. The steps include budgeting, salary negotiation, emergency fund creation, targeted savings accounts and automating finances.

The first thing to look at is budgeting. As a freelancer you must simultaneously budget for two things at once. First is business expenses and second is personal expenses. Some of these will overlap. For example, if you have a home office, part of that one rent check will go to your personal rent and part going to your business rent. Monthly expenses are simple to manage, but it is also necessary to figure out a monthly budget that accounts for annual or periodic expenses.

While this is something that trips most people up, doing so is quite simple. For regular expenses like rent you have a fixed number, say $1000 a month. You know this will come up, like clockwork on the first of every month. Then there are irregular expenses like computer software. I do not purchase a new drafting program every month or even every year, but I do know that at some point I will. I deal with this in the following way. Figuring the expense might be $2400 every two years, I divide that up monthly and get a figure of $100 in my monthly budget.

In my budget I include everything. This means not only am I budgeting for purchases, I am also budgeting for tax savings since I work almost exclusively on 1099s. If my dentist costs $120 a visit for checkups and I go twice a year, then I budget $20 a month towards that. Every expense. The key to making this work is to gather all your expense data together to know what you spend money on not just monthly or weekly, but annually or bi-annually. Do not forget to include fun. I have personal gifts and vacations included in my budget so that is accounted for, as well as the occasional ice cream cone or comic book. Be honest and account for everything, or the system will not work. At some point you will arrive at a figure for your budget. Let’s say $4,000.

Having worked out the budget for personal and business expenses you are ready to move on to the second part, salary negotiation. This part is easy. Your total budget number is your target salary. So as the employee you go to your boss (you) and ask for this. Your boss (you) then says yes. Celebrate with a cocktail.

Getting more serious, your business is not going to make exactly this number every month. There may be months where you clear well over $10 or 20k and others where you make nothing. We’ll deal with this next but the point is your business (you) pays your employee (you) that amount every month to cover all expenses.

Once we have our salary, what do we do with it? Well, most of the money probably goes towards paying bills and other expenses. But some of it will be left over. If your monthly budget is $4,000 and you make $6,000 this month there is a $2,000 surplus. This is where many freelancers get tripped up. Seeing this “extra” $2k they go on a spending spree and set off to enjoy this “flush” feeling. Of course the following month when they only make $2,500 they soon rack up credit card bills and feelings of anxiety.

The point of the budget is to include those fun purchases so that when you make that “extra” $2k you can put it into your business’ bank account to wait for next month’s salary payment to your employee. You include fun expenses so that as an employee you are not looking to embezzle funds from the company. Remember, just because you are both owner and employee does not mean you are not running a business. Treating yourself like an employee will give you and your business long term stability.

Through taking this “extra” money and putting it away to pay future salaries you are creating a savings buffer or “emergency fund” for your business. I like to keep a minimum of 4-6 months of income on hand in case of economic drought. This has proven useful for me when, over the last 18 months the bottom has largely fallen out of my work. I am able to get by on the cushions I have created for my business and while there is belt tightening, there is not immediate crisis.

Next up is targeted savings accounts. Remember that annual expense that we broke down into monthly payments? What we do with it is, through the use of an on-line savings account create a sub account(any online bank should allow this feature) for that particular item. Thus every month, along with paying rent, I put $20 into my “dental” account. Then in six months, I have the money saved up to go to the dentist and my regular cashflow/life is uninterrupted. I have targeted accounts for numerous items, taxes, vacations, website, etc. Using on-line savings accounts in this way not only do you minimize the impact on your daily routine, you also begin making a little money on the interest, or at least not losing money due to inflation.

I also keep a generalized account for budgeted items I go under in a particular month. Perhaps I budget $15 a month for stationary. If I only spend $10, then I put the “extra” $5 into my generalized expenses account. No matter how good your budgeting and planning, sometimes you will go over. The purpose of this system is to allow for such overages without causing disruptions to your life.

The final step is automating finances. Much of this is done through the savings plan, and any monthly budgeted savings should be automated as much as possible. Recurring expenses like internet, gas and electrical bills, etc. that can be routed through your bank account or credit card should be. Having set up your structures, you should make the system as automatic as possible to take your concern off of where your money is going and put it towards the work you are creating.

In future weeks I plan to expand upon some to all of these points, but this should serve as a good introduction for now. I hope you find this useful. Feel free to leave comments below.

An Important Message From The Environment

Friday, November 28th, 2008

My daily life is about as minimal in energy usage as it can be. I turn off all excessive lighting in my home, walk or take public transportation everywhere, eat vegetarian always and locally when possible. A few weeks ago I checked out a CO2 calculator and I was well under the national average, near the bottom in fact and this was looking promising. Then I accounted for my work. At that point the scales tipped dramatically, both in terms of the actual lighting work as well as the travel.

I have been thinking about this a lot recently since I travel so much for work. My air travel amounts to tens of thousands of air miles a year. While this is great for my income and frequent flyer programs, it is not so hot for the atmosphere. What I have decided to do is offset the carbon emissions from my air travel.

This is a simple way to solve an otherwise unsolvable problem. I need to travel for my work. The CO2 emissions are going to happen. There is no realistic way to cut that down, short of giving up my art. But I can do something about the impact that CO2 has.

If you are interested in this as well, here are a few things you can do. First, start off by determining where you are now with a Carbon Calculator. The calculator auto updates when you enter your own numbers over the sample.

Then, look to options like CFL’s, electronics recycling or eliminating junk mail. You could consider shifting to a more vegetarian diet or taking public transportation more often as well.

If, after all this, you find you still emit a large volume of CO2 and would like to do something more about it, consider buying carbon offsets. Best of all, these offsets are tax deductible, so not only will you be helping the environment you will be lightening your tax burden as well.

Financing Freelancing

Thursday, July 3rd, 2008

Of all the classes I took in gradschool not one of them focused on how how to organize your finances. We had a CPA come in one day and talk about taxes, but nothing on day to day cash flow management. It is surprising since that is rather central to freelancing. And given that this is what a large percentage of their students end up doing, it surprises me there was no discussion of it. I had to make this system up on my own, via some help from talking with friends and colleagues. My system will not work for everyone, it may only work for me, but perhaps some of the ideas will be useful to others about to begin the freelance design experience.

One of the trickiest things I have found freelancing is budgeting my money. The switch from regular to irregular income can be quite a shock to the system if not prepared. It has taken me a number of years to get the system I have working with most major kinks ironed out, but it seems to be doing well currently. Since some months I will be working constantly with a fairly high and regular cash flow and other months are like a river evaporating in the desert I have adopted a system that works no matter what volume my monetary intake is at. Most of it is based on percentages and that allows my budget to expand and contract as the intake does.

Obviously I have fixed expenses like rent, gas, electricity, phone, student loan payments and internet. Thus there is a minimum I must make each month to not go into debt. By and large making those minimums is simple. Everyone has these expenses. They are obvious. There are a few other less obvious expenses that stung me a few times through my not considering them necessary.

For the system to work, taxes, savings and a “dry month buffer” should all be considered necessary expenses. By looking at these as necessary expenses I make sure I have them covered rather than waiting until the end of the month or end of the year only to find out I spent all my income.

Since I do not get W2’s there is no income withholding which means I must do that on my own. I am also under no illusion that I will “strike it rich” as a theatrical designer, so I have an IRA that I feed regularly. Both the taxes and the IRA follow the same model. As soon as I deposit each check for a project I take a percentage(currently ten percent) of that and put it towards my IRA(and to a savings account for taxes). So if I get a hundred dollar check that’s $10 to my IRA. A $3,000 dollar check and its $300. Simple.

The “dry month buffer” is less precise. Rather than a strict percentage I simply try and maintain about 1-2 months worth of necessary expenses in my savings account. This has been the most recent addition to my system and probably the one most needing of refinement. My next major tweak to the system is to make this more precise and methodical.

By doing all this before I even look at balances for necessary spending I have been able to save a decent amount of money on what can, at times, be a very meager income. There are two things that make this successful. One is knowing that almost anyone can adjust -10% of their income. It’s just enough to notice, but not significant enough to truly impact daily life.

One further trick I picked up from a friend of mine who uses a similar system has to do with money for taxes. In March he takes all his savings for taxes and puts it in a 9 month CD. In June does the same in a 6 month CD. And again in September with a 3 month.

It looks like an online savings account actually provides a higher rate of return than a short term CD. So this afternoon I will be opening an online savings account to hold my tax money until the end of the year.

The final element to the percentage system is discretionary spending. I give myself a monthly allowance, alternately called a flexible budget or spending plan, for excess income every month. By again treating it as a percentage of income I am able to allow it to expend and contract based upon earnings. And since all my credit card spending is accounted for in that spending plan I am able to pay off credit card bills at the end of the month(or weekly when I am really on top of things) to prevent that from getting out of control.

This all may fall into the over sharing category for some. But to me I would have loved to have this information at my disposal when I started working regularly on 1099 income. I hope this might help you out.

. . . don’t you think?

Thursday, November 29th, 2007

It is funny to me that I was talking yesterday about the need for freelancers to take on faith that projects will materialize when you need the work and I just found out that a show I had shelved will be happening this spring.

The Madness of Day which I had all but assumed would not come to pass will be playing this March in New York City. Almost a year to the day from the last time the dates were postponed, Madness will open.

It is a beautiful text and I am looking forward to seeing it come to life. I’ll probably have to go back and do all that Film Noir research again. Oh, woe is me!

Essential Reading for ALL Freelancers

Tuesday, April 17th, 2007

Link

There are loads of different types of clients out there and chances are at some point you’ll get to meet all of them. So let’s take a look through some typical clients and see if you recognise a few of your own in there!


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