Posts Tagged ‘nytw’

Familiar Focus

Tuesday, March 20th, 2007

Focus at the Workshop went smoothly yesterday and we finished well ahead of schedule. It reminded me a lot of when I worked at the Berkeley Repertory Theatre. Well staffed and funded production departments with a dozen or so electricians all very competent.

John is very pleasant so I have a feeling it will be quite an enjoyable experience. The lighting designer, Mark Barton, is a friend of mine from NYU and it has been great getting a chance to hang out and catch up on breaks between work. We have not seen each other since last summer and before that I think it was a holiday party the season before.

The atmosphere at the Workshop is very pleasant. I am sure that, as with any organization, it has its bizarre political situations, but so far it seems to be kept to a minimum. The cafe next door is very nice and the woman who runs it is very engaged with the goings on at the theater. Again, it is an interesting parallel to Berkeley where the Capoeira Cafe, right across from the Rep, was unofficially part of the larger theater “family.”

This show has an interesting feel to it to me. Most of the details are new, yet the overall feeling os one of striking familiarity. It all feels right somehow. Its a difficult sense to explain. As for the individuals, I have never worked with any of them, except for Mark in graduate school, yet there is a kind of familiarity. I have not worked at this particular theatre, and yet it feels very familiar. It is like an evolution of something known and I must say, I rather enjoy it.

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Settling In

Saturday, March 10th, 2007

It feels like things are calming down a bit here on the work front for the moment. Future projects are settled for the time being. Still busy working, but all the crazy prep stuff is largely out of the way for now. The show in NJ is open and out of my hands. I was really done with it two days ago, but the choreographer wanted me around yesterday so I went to the opening performance to keep an eye on things.

Next week I am in tech for two shows. Stirring with Shalimar directed by my friend Shoni and then Firebird with New York Theatre Ballet. Both of these should be rather low stress, or so I foresee. Stirring is in tech from Tuesday to Thursday and the NYTB show Techs Friday. I then run the NYTB shows all weekend.

Monday, we begin focus for the show I am assisting on at the New York Theatre Workshop. All The Wrong Reasons is being lit by my friend Mark. It is in previews for eight thousand years. Ok two weeks, but still . . . I am there in large part to deal with the previews. Mark has to leave early. So I am there to be available to the director until opening.

I have never done a show at the Workshop, so I am looking forward to this. Plus Mark is a lot of fun to hang out with and we have not seen each other much since he was at NYU. It will be nice to reconnect for a bit. Oh yeah, and do a show.

Multimedia message

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Protected: Settling in

Saturday, March 10th, 2007

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International Networks, Theatre and Sleep Mode

Tuesday, January 16th, 2007

I got a new phone yesterday. It was a fairly painless process. I got a better phone than I previously had for free without the hassle of dealing with rebates. I do have a new service provider and a slightly smaller plan, but the monthly bill is going to be more than a third less than it has been. Very exciting. But rather than showing you a picture of the phone, I’ll let you see a picture it took of my computer running its screensaver designed by my friend Spot:

Multimedia message

OK, so the camera is about the same, but the service is much better, so I am happy about that.

Antigone has been accepted to the Sibiu Theatre Festival, so I should be heading to Rumania this spring. This is not the Antigone I lit last November, but another one. I am quite excited about this project. I have worked with a lot of Europeans, but have not yet worked in Europe. This version of Antigone is adapted for a single female performer. It is very exciting. It takes the best elements of the Sophocles and Anouilh and reworks them to make a truly contemporary text. The journey for Creon is a failed redemption after the fall from grace engendered by the “Power corrupts, absolute power corrupts absolutely” idea.

It speaks to the contemporary United States as much as any other contemporary fascist state. I think it will translate well to an audience in a former Communist/Fascist state. Of course we won’t really know until it plays, so we shall see.

A foreigner crossing Thebes on his journey
Would witness a town of order: a king that rules and a town that calmly works.
He would not see the turbulences underneath the tamed waters.

Who would say that a girl is dying out of mercifulness?

In more local news, I will be working at the New York Theatre Workshop this spring. It is an assisting gig not a design position, but I get to hang out with my friend Mark for a few weeks, so that will be fun. I have only seen him a handfull of times since he graduated NYU. We worked together for a year in the dance department there. It will be nice to hang out. Um, I mean work.

I have a chiropractic appointment soon, and then off to a runthrough for Last Word. I am excited to see what this thing is looking like. We load in to St. Clement’s next week and enter previews the following Tuesday. I ended 2006 with a one person Off-Broadway play, and start 2007 with a two person Off-Broadway. It makes for a nice continuity.

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