There is a very nice mention of my work in this review of Everyone Intimate Alone Visibly:
Lucas Krech’s impressive lighting design, and Jeremy Zuckerman’s terrific sound-score are perfectly realized creations that are as much a part of the dance as the exchanges between Levy and Aline. Both lighting and score provide both staging and directional movement. At one point, Levy actually solos and impressive interaction with a segment of Zuckerman’s swooshing sound-piece, that is redolent of the intensely deafening and demonic sound effects in the movie the Exorcist.
